Narrow conceptions of reason have got us into all sorts of trouble, especially in American education. The idea of this site is to kick around ideas about education and compare ideas with experience. And, verily, to occasionally blow off steam.
1973 - when I started asking questions, like, "Why are we all dressed so funny?"
Wednesday, February 10, 2016
Loewen's LIES
Thursday, September 24, 2015
Substitute Teaching: Entry #1
Based on my experiences to date, I have to say that a bit of my pessimism about the fate/future of Western culture/civilization is being rolled back.

Take the foundational document, er, film, The Sandlot. I made reference to it at one of those periodic moments of exasperation and several students replied, "I love that movie." Warm. Fuzzy.
More seriously, I'm finding that students take an interest in what they're studying, and, when conditions are really good (there's the Mystery of Teaching, namely, what creates or allows for these conditions to emerge? Patent that and send the bill to Bill and Melinda or that facebook fool), we engage in real dialogue.
And despite the negative chatter I read about Common Core, kids are reading actual literature and historical texts, not merely IKEA how to assemble instructions (as "real world" as that kind of learning might be -- but is there really a world-wide shortage of those little Swedish Gnomes who make that furniture? I doubt it)! Examples of texts I've read with students recently:
- Hamlet
- Jonathan Edwards, "Sinners in the Hands of an Angry God"
- Harper Lee, To Kill a Mockingbird
Sunday, May 05, 2013
Deliver Us from "Freedom Writers"
Take the Lead
I went into this movie thinking it would be "pious claptrap" about the saintly teacher who selflessly gives of himself to save beleaguered inner city youth. Ugh, another Freedom Writers?, I thought. Or perhaps a film about a cranky old guy who receives a revelation from today's youth in which he ditches his ways for the "wisdom" of youngsters.
Films of either genre make my skin crawl.
On the contrary! Although it has some
"Oh, come on!" moments (alleged spontaneous dance moments that have been obviously choreographed to death, for example), Take the Lead has an amazing performance by
Antonio Banderas who is willing to say (and live out the ideal),
"Everyone is entitled to a little culture" (which, from his tradition is...ballroom dancing!).
Not only is "white privilege" not mocked nor scorned, but it is suggested that the ancient things just might have a role in education today. Utterly refreshing.
This film is a meditation on the
evocative power of beauty, grace and tradition. Yes, you'll have to
suffer from a bit of hip hop (or enjoy it immensely, as I don't).
Wow, perhaps adults do have something of value to pass on; something
that does not depend on our effort to make everything "relevant" to
kids. Some things, the things of the heart, are always and everywhere
relevant for those with a beating heart and an open mind.
Summary: somewhat like Stand and Deliver meets Strictly Ballroom.
Sunday, November 27, 2011
Doing what Dewey discoursed about but decidely did not do
Years ago (Francis J. Stafford was still the archbishop), Lorenzo Albacete gave a talk to Catholic catechists and school teachers. He spoke about how so many people are running around these days talking about experience but because they are so solipsistic or materialistic, they really aren't talking about experience, per se, but something much smaller and limited.
While re-reading portions of John Dewey's Experience and Education I thought of what Albacete said. Dewey was of course a thorough anti-religionist and materialist, so one wonders if he ought to entitled his book "Interactions and Education" or "Stimulus, Response and Education." This might have cheated him of the opportunity to further devalue the English language, but it might have made for a book with greater clarity.
Etymologically, ex-perience indicates the perception of something that does not originate in me; it has its origin in something other or Other. Thus ontologically one realizes that the self is not the center of reality but that all has been given. Experience in depth opens one to the transcendent; experience with the preconception of positivism leads a flattening of everything -- the center does not hold.
One will search in vain to find a coherent discussion of either education or experience in Experience and Education. But perhaps the title of Dewey's work is useful inasmuch as it points to what should be obvious to everyone: education ought to an experience that means something.
Bring out the Juice...
What Dewey cannot do, Luigi Giussani (aka, "The Juice") does do: dissolve the false opposition between so-called traditional and so-called progressive pedagogies.
Giussani recognized in The Risk of Education that a partial education will tend to be ideological (be it political or religious in nature) and that the goal of human (hence, authentic and complete) education is an education in freedom:
What we want -- and this is our purpose here -- is to free the young generation from mental slavery and from the tendency to conform, which mentally enslaves them to the forces in society (11)In order to do this he proposes three simple (but by no means easy) premises for a pedagogical approach:
- Present the past in a suitable form (tradition)
- The content of tradition is discovered in one's own life right here, right now (experience)
- Tradition and experience must be reflected upon and judged (criticism) [pages 8-9]
- Progressives may link criticism and experience but neglect to take tradition seriously (e.g., "critical pedagogy" as espoused by the likes of Joan Wink)
- Traditionalists too may value personal experience via interpretation of a text and surely value traditional/canonical texts but often are superficially critical (e.g., Mortimer Adler's Paideia Proposal)
Giussani has thus discovered (rediscovered?) an approach that prevents teachers from either being "gurus" who know it all or passive-aggressive "facilitators" who push an agenda. Students too benefit by this approach because they are taught something of substance (tradition) and encouraged to relate this to their own life experience and then take the crucial next step:
The young student will now explore the contents of his knapsack, critically comparing what's inside of it -- his received tradition -- with the longings of his heart. The final standard of judgment must be found inside of us, for otherwise we are alienated (9).
What can he possibly mean by the "standard of judgment must be found inside of us"? If you are expecting a shallow relativism, you'll be surprised.
Stay tuned for details for answers to these and other exciting pedagogical topics.

